The end. Thank you.


Here we are. Hi.

This being the last day of this year and all, I’m not sure I know what to say, because I couldn’t have imagined 364 days ago getting to this point. I don’t think I lacked the confidence in getting to this point, but it definitely was a situation where I put on my blinders and went gently into that good night.

Anywhats, here are some shout outs.

Thank you:

To my mom, brother, and dad, who encouraged me to keep going through the third week, when habits are supposedly made.

To everyone in Brooksville (or by way of Brooksville) who has influenced me in so many different ways in the last 13 years. Brian, Brennen, Jason, Lief, Rob, Bernadette, Catherine, Lauren, Brenna, Kaitlin, Jim, etc., etc. I’m sure I’m missing some, so forgive me in advance.

To Jaquira Diaz, Karen Brown, Dr. Taylor Mitchell, Winnona Pasquini, Justin Brown, Travis Bell, and Wayne Garcia for inspiring me to write every single day.

To Browntown, the class that proved to me that a commuter student could still get the ‘college experience.’ And to the rest of my USF family, who all managed to make it out relatively unscathed – one hopes.

To my NPR Crew, the District of ColFUNbia, everyone at 1111 N. Capitol, and all the smart and funny people I’ve met while in DC. I can’t name you all because you number more than 50. You are legion, and I have loved every minute of being around you. Well, almost all the minutes. There were some minutes that were just okay.

To Bob and Robin, for giving me a shot to prove myself. To NPR Music, for showing me that there is still a place for smart, informative music journalism.

To the donors of the NPR Internship program, for literally paying my way to DC. I couldn’t have done it without you.

To all the women I fell in love with on the bus or Metro, you are the reason I take public transit. Just kidding (I’m really not though… or am I?).

To HS… wherever you are.

But especially, to you, reading this right now. You’re the reason this blog existed. If you’ve read only this post or any in between, I can’t thank you enough. If I imparted some type of knowledge to you, then it was all worth it, and a rousing success.

Thank you, thank you, thank you. A thousand times, I thank and appreciate you for spending part of your year with me.

This has been One Record Per Day.

Day 365 – #152. Bradley Hathaway – A Mouth Full of Dust

Bradley Hathaway - A Mouth Full of Dust Album Review

A few years ago, when I was writing for Indie Vision Music, I once spent a few hours on the phone with Bradley Hathaway in advance of a review I did on his EP A Thousand Angry Panthers. We talked about the fact that he lived in a geolithic dome in The Middle of Nowhere, Arkansas, and how he was going to school and had been recognized for his music before.

But the thing that stood out to be most about my phoner with him was how humble and down to earth he was. We were just talking. Two humans separated by a thousand miles, chatting about music and life and domed structures and spotty cell phone service and community college. He was just another dude in this life who just so happened to have written a couple of songs, did a couple of tours, sold a few DVDs, and was now talking to a music journalist from the Internet.

Hathaway’s 2009 album A Mouth Full of Dust preceded the EP that was the catalyst for us talking by a year. It’s a smoky, down-home approach and response to gospel and acoustic-driven Judeo-Christian worship songs from a dude best known for writing and performing spoken-word poems. One in particular was about being a typical dude who listens to hardcore and punk music. Man, the early and mid-2000s were a weird time.

This album makes me miss Cornerstone, a lot. And on this, the last entry in what has been One Record Per Day, I’m allowing myself to feel something for once. Nostalgia is cool, and healthy, albeit in moderation.

I like musicians like Bradley Hathaway in the same way that I like musicians like Kevin Devine and the guys in Showbread. Anyone who can still be separated from their craft, and not allow it to define who they are, but rather enhance who they are as humans, and not be get a big ego or become arrogant for what they’ve accomplished… those are my people.

Hardworking musicians like BradHath and KevDev, deserving of abbreviation (one of my Nu Yr Resos for 2014), are never a dime a dozen. They’re a commodity meant to be appreciated, even if their fan base doesn’t reach the levels of the top 40.

My end of the year post awaits. Thank you for spending part of your 2013 reading what I’ve written.

From A Mouth Full of Dust, this is “Mary” –


Day 364 – #98. Cursive – Happy Hollow

Cursive - Happy Hollow Album Review

Tomorrow is the last day of this project.

Without a shred of irony, this blog has changed my life.

It seems so ridiculous and hyperbolic to say such a thing, but consider this: I graduated in May, and spent the summer… shall we say, underemployed. Psychologically, after the high of graduation, the lows of not being able to put those skills to good use was damaging and created black holes of self doubt.

But my story is is not uncommon. Where mine diverges, though, is this yearlong ordeal that I’ve called One Record Per Day. The 350+ days and counting where I’ve set aside a chunk of my day to rattle off some thoughts about some music I like – and, conversely, some music I found I don’t like anymore.

Now that it’s been a whirlwind of 5+ months, I don’t even remember how in July I came to find out about the internships that NPR offered, and specifically for their most popular music podcast, All Songs Considered. I think it may have been Twitter. I could be wrong about that, but I feel like as much free time as I had, the opportunity was on the feed somewhere.

I applied on the last day that internship applications were due. I thought that there would be no way I even got a second look: Chronically, I was near the very end, and my last name starts with an ’S’, so even alphabetically I’d be screwed. I resigned myself to applying again for the Winter/Spring 2014 semester, thinking that I’d get a jump on the next term.

I must mention in here that at the time, I was several weeks into interviewing for a government job with a local library system. It wasn’t exactly what I wanted to do, but it was close. Not cushy, by any means. The money wasn’t great. The drive was long – 60+ miles roundtrip each day. The  benefits were decent. But it was a gig. It was secure, and for three years, if I could’ve stood driving to Pasco County every day. (I couldn’t, by the way).

When the deadline for notifying applicants of decisions came and went in late July, I wasn’t surprised. Not hearing anything at all kind of bugged me, but it made the decision to stay in Florida easier, since, yanno, there wouldn’t be a choice to make. I even started rewriting my cover letter to reflect the new period for which I’d be applying.

In August, almost two weeks after the deadline for selections came and went, I got an email from the producer of All Songs. I was floored. You know when you’re taken aback and surprised by something, whether it’s good or bad? The dizzy, lightheaded feeling that leaves you breathless? That.

It was only a “Hey, sorry it’s taken us so long to get back to you, can you do a phone interview later?” email, but still, it was enough for me. Meanwhile, I was now in the third round of interviews for the other position. I felt super confident with my in-person interview. We toured the facility. It was nice but nothing hugely special. I would’ve had my own office, editing suite, a budget for equipment – and creative control.

No circumstance will ever be ‘perfect.’ There is no ‘right time’ for anything. You just make it happen. You do it and move forward and progress. It’s been made evident the last few years to me that the beauty of life is simply being. Even though I’d still just barely be making it by, it was a job, and I was going to choose to be happy with it.

When I did my phone interview for All Songs, I thought that I had surely bombed it. The circumstances couldn’t have been more confounding. When I got the phone call, it was late in the day – past 5 pm, if I recall. I was checking out in the Publix grocery store close to where my apartment in Tampa. It was pouring. I had too many bananas. The circumstances were all wrong.

It was only twenty minutes on the phone, but those were spent getting my groceries in the car in the rain and attempting to drive home so I could think straight. I was still dizzy even from the fact of what was going on. I apologized profusely in a torrential gullywasher, saying repeatedly that it was hard to hear and talk without yelling because of the rain.

When I got home, I sat in the car a few minutes, trying not to sound like an idiot. We talked about this project – quite a lot, actually. I confessed that, 8+ months into this thing, I was starting to get fatigued. There were days when I just felt like laying out at the pool and reading too many library books than forcing myself to write about Christian metalcore bands.

After the phone call was over, I overanalyzed every word I could remember saying. Why had I told him I was ‘over it’ when I should’ve been more humble and ‘Aw, shucks, we southern boys just work read hard’ instead? I thought my honesty might have caused me to inadvertently shoot myself in the foot.

Over and over, I thought about what I could have done better. The results? Everything. I had bombed it. I felt that as good as my in-person interview with Pasco was, my phoner with All Songs could not have gone worse.

I remember hearing back from both parties the same day, within two hours of one another. I didn’t get a phone call from All Songs, but an email instead, asking me to come to DC. I got a phone call from Pasco. I let it go to voicemail.

I didn’t jump up and down for either. I didn’t make any rash or rush decisions with either. I drove home, called my mom. Kicked both around a while. No work that day, so I spent the afternoon tossing a ball into the air and catching it, over and over, staring at the ceiling and feeling the crushing weight of what I already knew was about to happen.

Pasco called again later that day, and I let it go to voicemail, again. I called my dad, my aunt. Told them the double good news. Asked what each thought, even though deep down I already knew what my decision was.

Each person I talked to said effectively the same thing but in varying degrees of earnestness and colorful language: “Even though it’s not a, quote, ‘real job’ like the other, you’d be an idiot if you didn’t go intern for NPR.” That I’d regret it a year from now, 10, 20 years from now. And they were right.

I listened again to the voicemail from Pasco, hours later. They “wanted to talk” about me joining their team. I’m sure it would have been great fun. It was my first official job offer post-graduation, and utilized what I had gone to school for, which is more than what many (most?) people can say even a couple of years after graduating.

I emailed All Songs and accepted the position before close of business later that day. It was a Monday. On Tuesday morning, when Pasco called, again, I let it go to voicemail, again. I listened. They sounded eager, but anxious. When I rang them back, they were happy to hear my voice, but my tone was “I’m about to tell you something you don’t want to hear.”

Thankfully, they understood and couldn’t have handled it with grace and appreciation and maybe even a little envy (their words, not mine) – it couldn’t have gone any better. It was the most encouraging job denial I’ve ever had, and their words were “Go. Change the world. We never want to see you again.” Cheeky. They were proud they could say they lost their guy to NPR.

I’m telling you all that to say this: This blog got me that internship, and in some ways, it maybe even saved my life. It got my foot in the door of public radio’s Taj Mahal, and if I have it my way, it’ll be there for some time.

Though I couldn’t see it in the desperate days after I switched my tassel from right to left, the ones that became weeks and then months, the ones that spawned intense emotional anguish, vitriol toward Florida’s job market, and even some malice toward my peers who I thought surely, by God, were not as qualified as I – It would all be worth it.

Because all the while, I kept doing the damn thing. This thing. Whatever this thing is, I still don’t know, and won’t know for some time until I’ve had some space to reflect, the same way I’m doing now that I’m back in Florida after the best four months of my life thus far.

It paid off. Sure, life is about more than working hard and being nice to people, but it’s a start. It’s a step. It says something about a person – Either that they’re insane or that they have a will and drive to achieve more than just existing, be more.

I like to think I strive for the latter.

I don’t mean to get all preachy or holier-than-thou or even Tom Cruise in Magnolia-y (fabulous movie, by the way). I don’t. But I do know that what I did worked for me. So why couldn’t it work for someone else?

If I can spend roughly 200 days straight putting words on the Internet about music, the very thing that I love the most, for a project that would eventually land me 900+ miles away in the music division of a well-respected journalistic organization, who’s to say that someone else reading this won’t be inspired to do a similar thing?

It doesn’t have to be every day. In fact, I don’t recommend it. This daily thing has me mentally worn out. I’m spent, taxed, done, and truth be told, have been for some time. And even though I’m petrified of Wednesday rolling around and not having to sit somewhere for an hour, soak in some sounds, and then stringing together a few coherent thoughts. It will be foreign to me, just the same way as it was last January when I began. When I forced myself to do it a couple of weeks in a row with little advertisement of what I was actually doing, so that if I failed, no one around me would be disappointed – but then amped up my promotion, and in doing so, forced everyone around me to keep me accountable. I told Facebook, Twitter, Tumblr – even the freaky beast that is Reddit – that I was doing this thing. Those people – you people – kept me on my toes. I knew I’d be letting someone down if I had to tell them that I had quit a month in, three months in, halfway. By the time January of 2013 ended, it was no longer an option. There was no quitting.

Even getting robbed in Miami on the 96th day of this year wasn’t enough to stop me. I remember getting home a few days later, ragged tired and world weary and disappointed. It was almost 4 in the morning on a Sunday. I slumped in the door and quite literally fell on the floor, greeted by my dog and a girl who is now my ex.

I contemplated calling this thing off. I had blogged that day from my phone, on the drive back from a place I now loathe for the simple fact that I had put my computer in a van and left it there, only to return just a short time later to find that it was gone forever.

Before that happened, I remember thinking that it was a gorgeous day in a city that I was still getting to know. It was breezy. Pleasant. It wasn’t anywhere near what I anticipated Miami to be. I hadn’t yet felt like I was in a hazy, neon cocaine mirage – which was sort of disappointing in a way.

Just hours later, I’d be almost comatose in a restaurant while we regrouped, over $3000 worth of my stuff gone in an instant. My computer, my iPad, my DSLR, my car and house and mail keys. All of it, and with it countless memories and images I’d never get back.

Even through that bullshit, I made up my mind to keep going. I had made it through March. Almost a quarter of the project was behind me by that point. Thankfully, WordPress (the platform I use for this site) has a tremendous iPhone app, which allowed me to keep going.

Can I tell you guys a secret? There’s only been one day this year that I haven’t made it. In Rainbows. February 9th. Just over a week before my birthday. Why? I was out for drinks with a girl, and it completely slipped my mind. I made it home and posted at 12:45AM. My only time rule for posting was before midnight.

I was more embarrassed than anything else. I don’t even talk to that girl anymore, either, which only makes me feel more dumb about missing it. There was one other occasion where I wrote ahead, two in one day, knowing I wouldn’t be able to get online at all the next day. I forget which post that was. Every other day this year, though, I have listened all the way through as I intended. I fulfilled my self-imposed obligations. I made it through.

Early on, one of the issues that was raised by a reader who I confide in – and whose opinion I respect – who questioned whether my word count was too much. In January, I wrote 17,564 words, an average of 567 per day. In February, it was 496 words. Writing 500 words a day doesn’t seem like a lot, but it equates to 3500+ a week – which still doesn’t seem like a lot. But without a break, it was an almost impossible task to uphold, and I can see now through the lens of being done why he didn’t think I could do it.

The reason I say not to write every single day is simple: Writers need time to breathe every bit as readers do. Writing gets better with practice, sure, but also with fresh ideas and time away from writing. The days this year where I didn’t feel like writing about that particular album – the days that I’m collectively calling “Shit Got Weird” – were healthy for me.

Writing 4 words about Beach House instead of 1700 about Showbread was gratifying. It was easy. But it got my point across the very same way. It was simple and effective in the same way that pontificating for, like, three hours about raw rock was.

Would I do it all again?

I don’t know. Certainly not this coming year.

Am I glad I did it?

Of course. It led me to Washington, DC, for the wildest 120 days of my existence. In finally getting the chance to prove to an organization my worth, I was invited to stay another four months.

An internet blog gave me hope.

An internet blog proved that, even though there aren’t really ‘new’ ideas anymore, using the ones right before our very eyes – like writing every single day – can be sculpted and marketed in a way to grab attention, if only for a moment longer than another candidate.

An internet blog changed my life.

What more could you ask from it?

So anyway, Cursive’s Happy Hollow, am I right?

This may just be my favorite Cursive album.

A concept record, Happy Hollow finds Tim Kasher’s acid tongue at its best. This time, he skewers religious faith for a healthy 14 tracks.

As contemptuous as he was on Domestica, one of two albums written about his divorce in the year following the dissolution of the marriage (the other, his side project The Good Life’s Novena on a Nocturn), Kasher is every bit as venomous here towards religion.

Tracks like the uproarious “Big Bang,” led by its huge trumpets – perhaps an allusion towards the seven trumpets as written in the Book of Revelation – as well as “Bad Sects,” “Retreat!” and “Rise Up! Rise Up!”, God and His ministry are in Kasher’s crosshairs throughout Happy Hollow.

It’s a fascinating show of smart lyricism and wry, clever wordplay (“Bad Sects,” C’MON, IT’S SO GOOD), especially considering Kasher grew up in the bible belt town of Omaha, located in the bread basket of America.

In contrast to The Ugly Organ’s theatricality, and Mama, I’m Swollen’s suffocating darkness, Happy Hollow is at times quite light, almost flowery. Mostly though, it’s the Saddle Creek staple’s latest brand of abrasive alternative rock: uncomfortable and wavering but impossible to not find catchy.

For as good as this group’s catalogue is, and considering I spent what felt like weeks trying to pick a favorite song of theirs in a March Madness style tournament, Happy Hollow may just take the spot as the best Cursive record.

From Happy Hollow, this is “Rise Up! Rise Up!” –

Standout tracks: Just about everything but…
Weakest track: “Dorothy Dreams of Tornadoes” may wear on you after a few listens.

RIYL: Two Gallants, Desparecidos, Criteria. Saddle Creek!


Day 361 – #237. Murder By Death – Bitter Drink, Bitter Moon

Murder By Death - Bitter Drink, Bitter Moon Album Review

On this last week of what is – and, now, was – One Record Per Day, I’ve entered the evaluation portion of this project. Lots of questions, and some answers, but mostly it’s just spitballing.

Did I give it the amount of time it was due?

Sure, to an extent. There were days I did not want to write at all and had to force myself, or just didn’t care about an album like I thought I would’ve.

Was I fair in my evaluations?

Sometimes. Sometimes not.

Could I have done better?


Is it possible there was a way to do it differently?

This is one of the questions I keep coming back to. Early on, when I was still trying to figure out just what to do with the year, I thought about relaying only my emotional responses to the music I was listening to. No history. No stories. Just what it made me feel like.

But that sort of idea implies that I actually feel something, which… nah.

I also thought a lot about pointing out very specific sections of songs that I liked. But even that seemed to be too macro. So it ended up somewhere in between what it is: band primer (which I’ve only just learned this week can be pronounced ‘prim-er’ – as in, ‘prim’ like proper. Who knew? Don’t answer that. #rhetorical) and aberrantly silly/obnoxious micro-review blog? I don’t know man, jump to conclusions on your own mat.

There’s a few moments on this album that I’m drawn too, like a fierce little section on “Straight At The Sun” a little less than halfway through the song. It’s comprised of some deliciously crunchy bass and whirring, dizzy strings. Into it.

For me, though, this album is all about “Queen Mab.” Though it’s an instrumental, it’s my shining star.

One of the other things I learned through this project is how much patience I can have with a band like this or Sigur Rós. The long and the short of that result: not much. There were some points where it actually took away the pleasure of listening to these two groups that I once had. In time, though, when I don’t spend 365 days straight forcing myself to listen to albums, I’ll regain that joy.

Tiny aside: Check out the sweet zoetrope that served as one of the band’s Kickstarter perks for this record!

Kickstarter Murder By Death zoetrope

From Bitter Drink, Bitter Moon, this is “Queen Mab” –

Standout tracks: Some really great parts on “Straight At The Sun.” And “Queen Mab,” oh my god.
Weakest track: I mean, I’m now less-than-whelmed by this band anymore, so probably not the best time to ask about this?

RIYL: Tiny little violence.


Day 360 – #331. Thursday – War All The Time

Thursday - War All The Time Album Review

Once in a while, an album will come along in a genre and change everything for that tiny sect of music.

I believe Thursday’s 2003 album War All The Time did that very thing for post-hardcore in the early 2000s.

Though it was released in an absolute wash of records in 2003, War All The Time has held up over its ten years of release. It brought Thursday to the forefront of the American alternative rock and post-hardcore scenes that year, and drove the group to its meteoric rise of success in the coming years.

From cover to cover, starting with “For the Workforce, Drowning” and closing “Tomorrow I’ll Be You,” War is, for me, a flawless record.

It’s the album that spurred thousands of people to tattoo a turtle dove on their bodies.

It’s the album that many people will remember them by, for one reason or another.

And yes, it’s the album that featured “Signals Over The Air,” not the band’s best song by any means, but somehow, inexplicably, their biggest radio hit.

I can’t speak highly enough of it, even though it doesn’t hit me like it once did. This is a record for kids just hitting their stride in finding music – which, as it so happened, was when I discovered it.

It’s a record that reminds me so vividly of high school and the couple of years after I graduated, when I saw the group two or three times, and each time came away thinking they were one of the most energetic groups I’d ever seen perform live.

I miss them, a lot, and I’m glad I got to see them seven or eight times since I first heard this record in 2004.

While ‘the scene’ may have shriveled up, this was just another album of solid hits from a band that stayed just beneath the radar, capable of producing quality jams on each release. One of my favorite groups ever.

From War All The Time, this is “Tomorrow I’ll Be You” –

Standout tracks: Everything. A rare perfect record in this genre.
Weakest track: No.

RIYL: Post-hardcore, emo, emocore. The Blood Brothers, Glassjaw, Brand New.



Christmas on Death Row Album Review

It’s day six of my deviation from the rest of this year’s project! I’m writing about 7 different Christmas albums this week, leading up to TOMORROW.

Do you like Christmas? COOL.

Do you like candy canes or the fact that Snoop Dogg coaches pee wee football OR CANDY CANES? COOL.

Do you like Death Row Records? COOL.

Do you know who Nate Dogg is? COOL.

If you answered yes to any or all of those questions, you’ll certainly enjoy Christmas on Death Row, which is exactly as awesome as it sounds.

A collection of 17 songs, made up of originals and reconditioned versions of timeless favorites, 1996’s Christmas on Death Row leads with its best song (“Santa Claus Goes Straight to the Ghetto” by the inimitable Snoop Dogg), then changes the whole script and goes R&B for the remainder. This diversion includes the poor man’s R. Kelly, Danny Boy!

I will forever be into Christmas music, but especially an entire album of songs purportedly to be from the baddest record label on this planet which actually turned out to be pretty tame.

From Christmas on Death Row, this is “Santa Claus Goes Straight to the Ghetto” –

Standout tracks: Nate Dogg’s “Be Thankful.” End of story.
Weakest track: None, are you serious? You hate Christmas music, you Grinch? You hate FUN, you doodoo head? You are the worst.

RIYL: CHRISTMAS MUSIC! Also, if you follow Snoop Dogg/Lion/‘Zilla on Twitter. This one’s for you.



Christmas With Johnny Cash Album Review

Special note: Here we are again. Right back to the Tampa Airport, as I was on September 6th, before flying to Washington, DC, to intern for NPR’s All Songs Considered. I’m heading back there in just a few weeks to be a permanent DC resident, which is frightening and exciting all the same. Being back in my home state right now is a little… disorienting? It clearly has defined the reasons I left in the first place. How they’re so evident now, I guess I was denying them the whole time I was here the last few years. Last night, I went and saw Brand New and Kevin Devine in a tiny bar in the Gowanus neighborhood of Brooklyn, then stayed in a strange hostel and had a day of travel hell today. I’m weary. This project is almost over. I get to see my dog for the first time in 4 months in about 90 minutes.

Things are different now. Better. Difficult, but better. Find what’s important to you and make it happen. Now here’s some nonsense about John R. Cash.

It’s day five of my deviation from the rest of this year’s project! I’m writing about 7 different Christmas albums this week, leading up to the big day itself.

Do you like Christmas? COOL.

Do you like music from the true King? COOL.

Do you like smoky versions of Christmas classics or breathing? COOL.

Do you know who Johnny Cash is? COOL.

If you answered yes to any or all of those questions, you’ll certainly enjoy Christmas With Johnny Cash, an album of 12 versions of old faithfuls, INCLUDING BUT NOT LIMITED TO: “Hark the Herald Angels Sing,” “O Come All Ye Faithful,” and “Joy to the World.”

A few years ago, the fine gentleman who used to co-host the radio show that I did for a long time got me a Christmas gift: Johnny Cash Reads the Bible.

It is exactly as you might expect it to be, based on its name. Let me say this though. John’s register is haunting and makes anything worth listening to. Even if you don’t practice or agree with Christianity, it’s worth a listen because of what he does with it.

I will forever be into Christmas music, but especially an entire album of songs written and recorded by The Man in Black.

From Christmas With Johnny Cash, this is “I Heard the Bells on Christmas Day” –

Standout tracks: This dude’s voice takes every track on here to the next level. You crazy for this one, John (S’YA’BOY).
Weakest track: None, are you serious? You hate Christmas music, you Grinch? You hate FUN, you yogurt head? You are the worst.

RIYL: CHRISTMAS MUSIC! Also, one of the most memorable voices of all time.